Assignment 6
Susan
Orlean authored Lifelike from an open
minded, nondiscriminatory, unprejudiced perspective. I believe she did this out
of respect to the people that took the time to talk to her. I also believe she
wrote this essay the way she did because if she had not been impartial, less
people would feel inclined to want to read it. The only people that would want
to read this essay would probably the people that agree with her opinions or
people that want to dispute or discredit anything she has to say. In addition,
I feel she wrote this essay from a nonbiased perspective because as a
journalist staff writer for the New Yorker she realizes she can appeal to a
greater demographic of people by being impartial. This article was published in
New York; a city in which the majority of people probably would not otherwise
be exposed to this trade if it was not for this article. By not leaning one way or the other in her
writing, she allows her readership to form their own opinions about the trade. Put simply, she wrote
this article in a non-editorial, informative way, so that her readers could
learn a great deal about something they may not know about unless they once
lived in a rural area and so they can form their own opinions about the subject
at hand.
The
reason I say she wrote this essay from a nonbiased perspective is because she
herself compliments some of the taxidermist on their work and because everyone
she interviews has something positive to say about the trade, but she also
quotes the taxidermist saying some things that are not so pleasing to hear.
For example, she says, “I said that
his bobcat was beautiful, and that even the icicles on the piece looked
completely real.” She said this to a man that was a contestant in the World
Taxidermy Championship competition. Now if this was the only thing she said in
her essay, readers might perceive Orleans as an impartial author. However, with
every positive thing that is said in this essay, there is also something that
tips the scale in the other direction so to say. Specifically there was the man that stitched
the two black bears together, the taxidermist that freeze animal skin in their
freezers, as well as the person who suggested he or she would make a mount out
of a stillborn. She would not have quoted the contestants saying these things
if it was not for the fact that she were trying to be neutral.
Another example of this is when she
quotes a taxidermist saying he or she loves deer and that they’re his or hers
babies. She says, “Taxidermists seem to make little distinction between loving
animals that are alive and loving ones that are not. ‘I love deer,’ one of the
champions in the whitetail division said to me. ‘They’re my babies’”.
Now, as far as where she builds, or
loses her ethos, I think she gained her ethos by actually traveling to
Springfield, Illinois and attending the competition. This gives her credibility
because she didn’t just talk over the phone or instant message with the
contestants, she witnessed everything first hand. I think she lost her
credibility by being so detached and not expressing her own opinions. If it wasn’t for
the fact that I googled her, I would not have known who she was. I think she
would have been more credible in her essay, if she gave a better insight into
who she is. If her readers knew that she has been a writer for The New Yorker
since 1992, and that she has also written for such publications as Vogue, Rolling
Stone, Esquire, and Outside, people would be more inclined to hear what she has
to say. Then again, maybe she does in fact want her readers to keep an open
mind when reading Lifelike, just like
I said before.
Ryan, you are doing such lovely work with your assignments.
ReplyDeleteI do think that the close reading of this text would reveal that she's not impartial. It is the constant back and forth that you mention above that makes this article so fascinating to me. I don't know what to make of her calling taxidermy an "art" in one sentence and then saying it's "morbid" in the next. I definitely think you're on to something in your dissection of the dialogue she uses.